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“Too Fast For Love”
The Crüe’s debut gave birth to the Glam Rock-Sound of the Sunset Strip. ‘Live Wire’ along with the titletrack can still be considered as classics and solid staples in the Crüe’s Setlist. Any similarities to the album-art design of The Rolling Stones’ “Sticky Fingers” aren’t just purely coincidental.
“Shout at the devil”
Maybe the closest Mötely Crüe have come to the shredding Heavy Metal-thunder of the Eighties. The infamous titletrack and other killer tracks like ‘Looks That Kill’, ‘Too Young To Fall In Love’ as well es The Beatles-Cover-Version of ‘Helter Skelter’ are as raw and vicious as they sound. Again, similarities of the re-worked coverdesign to The Beatles “Let It Be” aren’t purely coincidental.
“Theatre of Pain”
More glam and even bigger hair as well as the trademark power-ballad ‘Home Sweet Home’ put Mötley Crüe on the map as ultimate Hair Metal-prototypes. The Brownsville Station-cover-song ‘Smokin’ in the Boys Room’ is Mötley Crüe’s first Top 40 hit in the U.S. .
“Girls, Girls, Girls”
The essential example of eighties’ Sunset Strip-Rock’n’Roll: Strip Club-staples like ‘Girls, Girls, Girls’, drug and alcohol-fueled anthemns (‘Wild Side’, ‘Bad Boy Boogie’) and some neat heartbreakers (‘Nona’, ‘You’re All I Need’). Mötley Crüe take their daily glam rock doses with some boogie and blues as a chaser.
“Dr. Feelgood”
With Bob Rock handling production Mötley Cüre even step up their game. The titletrack is a stomping hard rocker, ‘Kickstart My Heart’ pure adrenaline turned into a song and ‘Same Ol’ Situation (S.O.S.)’ the party-soundtrack to sororitie-excess. With ‘Without You’ & ‘Don’t Go Away Mad (Just Go Away)’, two strong power-ballads, Mötley Cüre get into heavy roation on MTV and rock-radio all over the states.
RELEASE EUROPE: Nov. 14th (2011)
RELEASE G/S/A/: Nov. 11th (2011)
